Chris Hillman is a name synonymous with the evolution of American music. As a founding member of Chris Hillman Byrds played a pivotal role in shaping the sound that bridged folk, rock, and country music. His influence extended far beyond the band’s early years, leaving a lasting impact on generations of musicians. In this article, we’ll dive into 22 of the best songs that showcase Hillman’s contributions to The Byrds, songs that are not just iconic but also incredibly fun to listen to.
‘Chris Hillman Byrds’ Bio
| Name | Chris Hillman |
| Date of Birth | December 4, 1944 |
| Place of Birth | Los Angeles, California, USA |
| Age | 80 years old (as of 2024) |
| Height | 5 feet 9 inches (175 cm) |
| Weight | Approximately 165 lbs (75 kg) |
| Marital Status | Married |
| Wife | Connie Pappas |
| Children | Two children |
| Siblings | Three siblings |
| Net Worth | Estimated $5 million |
| Total Songs | Over 200 Songs |
1. Mr. Tambourine Man (1965)
The Byrds and Bob Dylan’s “Mr. Tambourine Man” is the standout track of The Byrds’ superhit debut, now generally considered a folk rock classic. The bass licks Hillman lays down here are probably the least dramatic feature of this or any chris hillman byrds song, but they do gird the skittish 12-string jangle that makes “Why” what it is. Bright and lightly rollicking, this is classic folk-rock from the band at their peak, made all the more joyous in sound after so many listens due to its tuneful melody.
2. Turn Turn Turn (1965)
This single has been credited as yet another signature moment for The Byrds, a track based on the words of Ecclesiastes. Hillman’s bass adds to the rhythm and drive of the song as harmonies also soar. This is a song that can make you feel uplifted and reflective at the same time, making it one of your favourite songs from this band.
3. Eight Miles High (1966)
It was The Byrds going even more out there than ever before, their typically folk and pop rock tunes being replaced by rhythmic experimentation driven jazz-inflected jams with a psychedelic air. Not to be overshadowed, moving Hillman basslines are also in strong supply here — his intricate playing style adds layers of complexity and propulsion that further underline the tune’s penchant for adventure. The track makes you feel as though Gardna is inviting a listener to disappear into its nuances and layers it.
4. So You Want to Be a Rock ‘n’ Roll Star (1967)
This track is a biting commentary on the music industry, and Hillman’s bass, along with his co-writing credit, plays a major role. The song’s catchy riff and memorable chorus make it an enduring anthem about the fleeting nature of fame.
5. I’ll Feel a Whole Lot Better (1965)
In addition to being an Eric solo hit, this write of the first released Byrds record is Hillman’s most danceable groove and adds firepower, making it one of their more fun-to-listen tracks. The harmonies are too catchy to be denied, and the hard-hitting, assuring message of the song itself makes it well-suited for any get-pumped-up playlist.
6. My Back Pages (1967)
Another Dylan cover, “My Back Pages” demonstrates just how The Byrds could take a song and make it theirs. The additional elements of Hillman’s bass lines bring the track to another level, providing more depth and a thought-provoking vibe. This is the kind of song that will relate to people in a particular active phase of life, such as when reminiscing about the good old days.
7. Time Between (1967)
One of Hillman’s earliest songs for the Byrds, this country-rock and honky-tonk cut reflects his bluegrass upbringing and hints at the direction he would take with the Flying Burrito Brothers. The bright, perky melody may make the song seem a little more fun than its content actually warrants.
8. Chestnut Mare (1970)
A later track from their career, “Chestnut Mare” by the Byrds is a fairytale-like cowboy song. Since Hillman was partly responsible for the song, there is no doubt about why it ended up having more complex structuring and arrangement when compared to many of The Byrds’ later songs.
9. The World Turns All Around Her (1965)
This track is an old Welsh folk song transformed into a rock anthem by the Byrds. With Hillman’s bass lines keeping bottom, the guitars and vocals soar. One of the better examples on display from a Grammy-winning band that has oftentimes had trouble connecting the dots between its love for all things blues, soul, and rock.
10. The Bells of Rhymney (1965)
The way the bass and vocal harmonies dance off of one another on this track gives it a sense of grandeur you just won’t find anywhere else.
11. Draft Morning (1968)
It takes a slightly more serious tone discussing the Vietnam war and Hillman’s bass provides that sad tinge needed for this haunting track. This song is a powerful statement and proves that The Byrds are willing to explore serious themes through their music.
12. Goin’ Back (1967)
One of the first proofs that there was light after their undeserved commercial slump, this Hillman-led diamond stands out among fantastic gems shepherded to wax in those years and he keeps things rolling on the backbone provided by his unappreciated bass. It’s a plaintive tune about yearning for the good old days, and Hillman delivers that feeling wonderfully.
13. Change Is Now (1968)
“Change Is Now” is a multiphased song that incorporates elements of rock, country, and lyrics, with Hillman’s bass acting as a unifying force among the different layers. As an ode to change, the song could not be more current.
14. Hickory Wind (1968)
Hillman wrote one of The Byrds’ best-loved country songs with the brilliant “Hickory Wind” in 1968. His bass enriches the tune, complementing lyrics that yearn for simplicity and a more rural existence.
15. Wasn’t Born to Follow (1968)
Included on the soundtrack of Easy Rider, this song serves as a testament to The Byrds’ versatility. Hillman’s bass maintains the rhythm while other instruments explore more daring territories, beautifully capturing the late 1960s.
16. You Ain’t Goin’ Nowhere (1968)
Another Dylan cover, this is a fun laid-back track that pays some tribute to its folky roots. Hillman’s bass work is casual but incredibly on point for the laid-back groove of the song. Musically, the track is something that allows you to kick back and just enjoy the ride.
17. Mr. Spaceman (1966)
“Mr. Spaceman” is a playful rock/country number that fits into the same bag, although it isn’t quite as socially reflective as some other tracks. Hillman’s bass is danceable and jaunty, perfectly appropriate for the humor in the lyrics. It’s a track that highlights the freewheeling fun of the Chris Hillman Byrds.
18. She Don’t Care About Time (1965)
A lesser-known track that includes some of Hillman’s most intricate bass work, the structure being more complex than those covered. Its wistful lyrics and gorgeous harmonies feel like a lost Byrds classic.
19. All I Really Want to Do (1965)
Another early hit for The Byrds, this Dylan cover features Hillman’s bass driving the rhythm section. The song’s upbeat tempo and catchy melody make it an enduring favorite.
20. Ballad of Easy Rider (1969)
This track was written for the film “Easy Rider” and features Hillman’s steady bass lines that give the song its flowing, dreamlike quality. It’s a track that perfectly captures the spirit of freedom and adventure.
21. Jesus Is Just Alright (1969)
This gospel inspired track showcases The Byrds’ versatility, with Hillman’s bass providing the groove that makes the song so infectious. It’s a fun, energetic track that invites listeners to sing along.
22. Bad Night at the Whiskey (1969)
Closing out our list, this track is a gritty rock song with a driving bass line from Hillman. It’s a song that captures the darker side of the late 1960s, with a raw energy that makes it a thrilling listen.
In Summary, Chris Hillman Byrds, is sound and influence from the start. These 22 songs not only showcase his talent on bass and as a songwriter but also the pure joy that comes from listening to some of the greatest music of the mid-1960s. Whether you’re exploring Chris Hillman Byrds’ sound in depth or discovering it for the first time, this collection is highly recommended across the board.
